Worlds Latest Styles and Fashion

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Worlds Latest Styles and Fashion

Ik Tamanna Lahasil Si

Tuesday, November 20, 2012

New York art sale sets record

15 November 2012 Last updated at 09:57 GMT Jeff Koons' Tulip

Tulip is part of a series of works created by Koons over nine years The US art season ended with a record-breaking sales total of $412m (£259.9m) for Christie's, with records set for works by 11 artists.Jeff Koons sculpture Tulip, which graced New York's Rockefeller Center plaza, achieved an artist record of $33.7m (£21.2m). New records were also set for Franz Kline and Jean-Michel Basquiat.Christie's claimed the $412m figure was the most successful sale of post-war and contemporary art in history. "This truly was an extraordinary sale," said Jussi Pylkkanen, president of Christie's Europe, Middle East and Russia."Clearly there's an enormous amount of energy in the post-war and contemporary market. It's highly likely that we'll see a continuation of records being broken."Smashing record The previous day, rival auction house Sotheby's had staged its most successful auction in its history, taking $375m (£236m).Koons' Tulip became the second highest figure paid for a living artist, following on from Gerhard Richter's 1994 painting Abstraktes Bild, which sold in October.Tulip was created between 1995-2004 and is one of five versions of the work.Kline's canvas, featuring broad black strokes, sold for $40.4m (£25.4m), smashing the previous $9.3m (£5.8m) record for his work. The Christie's sale also included Andy Warhol's Statue of Liberty, which sold for $43.7m (£27.5m).Basquiat's untitled work from 1981 sold for $26.4m (£16.6m), beating the artist's previous record of $20.1m (£12.6m), which was only set in June. Basquiat started out as a graffiti artist before finding fame as a contemporary artist. He died of a heroin overdose in 1988 at the age of 27.Rothko's Red Strip sold for $23.4m (£14.7m), just a day after large-scale masterpiece No 1 (Royal Red and Blue) sold for $75.1m (£47.2m) at Sotheby's.

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One Direction 3D film to be made

A 3D documentary film is to made about One Direction's rise to fame.The British boy band will work with director Morgan Spurlock, who is famous for making Super Size Me, which looked at the effects of eating fast food.It is thought the movie will be similar to recent documentaries released by Katy Perry and Justin Bieber.Continue reading the main story What the band have achieved is incredible. They and their fans have made history around the world - this is for themSimon Cowell Simon Cowell, boss of One Direction's record label Syco, said the film would give an "access all areas, behind the scenes" look at the group."What the band have achieved is incredible," said Cowell. "They and their fans have made history around the world - this is for them."Director Morgan Spurlock called the film "an incredible opportunity and an amazing moment in time for the band".The project, produced by Sony Pictures, is due out in August 2013 next year.

Morgan Spurlock will be working with One Direction on the 3D film Pop star documentaries have proved popular with fans.Justin Bieber's 2011 film grossed $73m (£46m) at the US box office.Part of Me, Katy Perry's film which featured her break-up with comedian Russell Brand, took $25m (£16m) in America.One Direction have already had success in America scoring the fastest-selling track by a non-US artist ever with Live While We're Young.They also became the first Brits to go in at the top of the Billboard chart with their debut album. They recently released their second record, Take Me Home, which is also expected to go to number one in America.The group - Niall Horan, Zayn Malik, Liam Payne, Harry Styles and Louis Tomlinson - finished third on The X Factor in 2010.Follow @BBCNewsbeat on Twitter

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Pop charts seek to stay on top

14 November 2012 Last updated at 02:08 GMT By Ian Youngs Entertainment reporter, BBC News Tony Blackburn runs down the first ever UK top 10 on the chart's anniversaryIt is 60 years since American crooner Al Martino topped the first ever UK singles chart. Are the charts still relevant in an age when Top of the Pops has been replaced by YouTube as the number one destination for pop fans?When Robbie Williams scored his 14th number one hit earlier this month, there was little doubt about what being at the top of the charts meant to him."I haven't been number one since 2004 and it's great... I am number one - it feels brilliant," he said. "There's a lot of vindication, happiness and relief."For Williams, wounded by a series of flops, being number one again was proof that he was still a star.More singles are now sold than ever - about 3.5 million per week - and, judging by the ear-splitting screams that greet stars like JLS and One Direction when they step near a stage, pop music still matters.

Robbie Williams has been number one in the UK for the past two weeks But a lot has changed in the last decade or two. More than 99% of all single sales are now downloads and pop fans have many more ways of getting music - from YouTube to file-sharing to streaming services like Spotify, none of which count towards the charts.It also feels like the charts are less central to our lives than they were when the Top 10 was beamed into 15 million living rooms every Thursday night on Top of the Pops."In an environment where singles sales are booming, the chart still is very relevant," says Martin Talbot, managing director of the Official Charts Company. "You need to sell about twice as many copies as you did about 10 years ago to get to number one."After the demise of Top of the Pops, MTV became the home of the official charts on TV. Rather than 15 million, 1.1 million people watch the Top 20 and Top 40 rundowns across MTV's channels per week. A further 1.2 million tune in to the weekly countdown on BBC Radio 1.When Top of the Pops was axed, the BBC said it was a victim of competition from "multimedia and niche musical outlets which enable viewers to consume music of their choice, any time night or day".The internet and countless digital TV and radio channels now offer seemingly endless choice, and have split the music scene into a honeycomb of self-sufficient niches.Today, chart pop is just the biggest niche. Those who do not like it can easily ignore it.And fans no longer have to shell out to hear a song they like. YouTube offers a virtually exhaustive jukebox and recent research from the US suggested that more teenagers now listen to music through YouTube than iTunes, CDs or the radio.The rise of video sites and streaming services have made tracking the popularity of a song much more complicated."That's the constant challenge that we face - trying to ensure that the official singles chart is the definitive representation of popularity," Talbot says."Clearly, when the chart was first launched, they were very innocent times. There was one bloke picking up a phone, calling a couple of dozen retailers, writing down what they had sold on a piece of paper and then compiling it into a chart."The singles chart still simply counts sales rather than YouTube views or Spotify streams."The only way of changing that at the moment, by adding streaming, would effectively compromise what that chart is all about - make it less transparent, slow it down, make it less dynamic and fundamentally make it less interesting," Talbot says."The reality is that I don't think the chart is any less interesting, relevant and reflective of what music people are enjoying on a week-by-week basis."New developments The Official Charts Company did recently launch a separate streaming chart, based on information from the likes of Spotify, We7, Napster and Deezer.Some 2.6 billion audio streams were delivered in the UK last year - dwarfing the number of download sales - and countries including the US have begun to incorporate such streams into their main singles charts.But that is unlikely to happen in the UK - at least while download sales are still rising, Talbot says."The number of downloads being bought on a weekly basis would need to start to stabilise and start falling, and we would need to start seeing a decline in the number of singles you need to sell to get into the Top 10 or 20," he says."It's going in exactly the opposite direction at the moment. And we need to see streaming as an activity begin to catch up with purchasing as an activity."If a streamed single counted towards the official Top 40, one thorny question is how much one stream would be worth compared to one sale."When you start getting into formulae, inevitably you begin to chip away at that transparency and immediate understanding of what the official chart is about," Talbot says. "That's a big philosophical step for us as an industry."The simplicity of the charts has been an asset as the music industry and media have transformed around them. And as long as the charts are around, musicians will always want to get to number one.Pop Charts Britannia: 60 Years of the Top Ten is on BBC Four on Friday 16 November 21:25 GMT. Chart showing top singles sales in Uk over the decades

Chart showing top singles sales in Uk over the decades

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